ERIC Identifier: ED415174
Publication Date: 1997-09-00
Author: Bernson, Mary Hammond
Source: ERIC Clearinghouse
for Social Studies/Social Science Education Bloomington IN.
Fiction about Japan in the Elementary Curriculum. ERIC Digest.
For many children, their first view of Japan comes from story books. Those
books can entice, delight, inspire further study, and offer glimpses of a world
previously unknown. They can foster open-mindedness and an awareness of other
ways of thinking and living. For these reasons, selecting accurate and
appropriate books has become a primary responsibility of teachers.
THE CHALLENGE OF CHOICE
Elementary teachers, often without
any formal training about Japan, must make decisions about book purchases that
will have a potentially life-long impact on students' attitudes. Choosing books
that can meet this challenge has taken on new complexity and significance due to
trends both within elementary education and in the world beyond the classroom
door. In classrooms across the country, fiction is often the main source of
children's information about Japan. Since both pedagogical innovations and
inadequate school budgets have contributed to a decrease in the use of
elementary school textbooks, teachers must consider the historical accuracy of
the books they choose. Innovations such as the whole language approach to
reading, new methods of assessing student learning, the encouragement of diverse
and multicultural perspectives, the application of theories of multiple
intelligences, and the integration of teaching across the curriculum often mean
that a student in the primary grades hears a folk tale from another country,
does an art activity based on that culture, uses the metric system in the art
project, finds out a bit about the flora and fauna now living there, and writes
a letter to an imaginary pen-pal. This kind of integration across the curriculum
puts a teacher's choices of fiction at the crossroads of the whole curriculum.
Embedded in this integrated curriculum is the teaching of citizenship.
Elementary teachers regularly wrestle with citizenship issues, including the
relationship of the individual to the group. Many school districts teach
citizenship to children who speak a variety of languages and dialects. A book
choice can send either the message that "those kids" come from a weird place, or
that those kids have a heritage about which we should know more. Books can
stimulate empathy, compassion, and a search for solutions to problems we all
face. They can teach us that contacts with others generate both conflict and
cooperation. Books of fiction provide a safe place to explore life's troubling
GUIDE TO SELECTION
Many sources of book recommendations
are readily available, including rosters of winners of prestigious awards and
the list of "Notable Children's Trade Books" produced annually since 1972 by the
National Council for the Social Studies and the Children's Book Council.
Reflecting the trend toward using fiction to teach or reinforce content in the
social studies, the list now includes annotations about the social studies
themes to which each book most closely pertains. The committee evaluates over
200 books each year, selecting only those that meet the highest standards of
quality and accuracy in both text and illustration. Teachers can also make
informed choices; the following list of questions can serve to guide teachers as
they evaluate books for selection:
* Is the book compelling and powerful? Adults expect books to be of high
literary quality, or to be a "good read," and children deserve these qualities,
* Is the book a folk tale, a retelling of a folk tale, an "original" tale set
in ancient times, or something else altogether? You may want to use any of
these. Just be aware of what you have. Try to make connections between the past
and the contemporary world. Select supplementary materials that reinforce the
message that those whose stories took place long ago and far away have
descendants about whom we should learn.
* Does the book allow Japanese characters to speak for themselves, or is
every voice American? Does the book avoid the assumption that Japanese and
Japanese-Americans speak with one voice?
* Is the book accurate? This is a particularly difficult aspect for busy
teachers to research, but it is extremely important.
* What claims are made for the book by those who write the dust jacket or the
publicity materials? Many "authentic tales" are full of eccentric projections of
the fertile imaginations of American authors.
* Is the book free of misconceptions and stereotypes? In addition, if it is
one of the few books children will ever see about a country, does it contribute
to a broad understanding of that country?
* Is the language well-chosen, well-written, standard English? Some
translated materials, as well as some original stories, create false exoticism
by word choice, such as using the term "master" when talking about a teacher,
instead of simply "Mr." or "Ms."
* On a continuum from exotic to blandly homogenized, where does the book
fall? Does it emphasize atypical aspects of a country which are most different
from the United States? Or does it err in the other direction, treating all
peoples and their cultures as being "just like us?" Pictures often reinforce the
extremes, ranging from scary depictions of Asians amidst gratuitous exotic
details to series in which all people are painted in the same round-eyed dreamy
style, with a generic universal skin tone which looks as if it were chosen by
* Does the book avoid the pitfalls of equating "western" with "modern?" Does
it avoid the assumption that traditions are something others have, something
that they will give up when they "progress" toward being just like us?
* If the book conveys a moral, is it appropriate to the culture in which the
story is set? Think twice about using a book about a little girl, set in
long-ago Japan, which conveys a contemporary American self-esteem message in the
best tradition of the little engine that could. "I think I can; I think I can"
would not have made that little girl a government official. Books that set
contemporary American values in Asian settings lead students to assume that
everyone shares those values.
SOME FAVORITE TITLES
No one book can excel in every way,
but the eclectic list below includes personal favorites that lend themselves to
effective classroom use.
GRANDPA'S TOWN by Takaaki Nomura. Translated by Amanda Mayer Stinchecum.
Brooklyn: Kane/Miller Book Publishers, 1991. This bilingual book, illustrated by
the author, follows a young Japanese boy from the city as he visits the town
where his grandfather lives.
GRANDFATHER'S JOURNEY by Allen Say. Boston: Houghton Mifflin, 1993. In
pictures and prose, this book reflects the emigration of the author's
grandfather from Japan to the U.S., and then his return to Japan.
THE LOYAL CAT retold by Lensey Namioka and illustrated by Aki Sogabe. San
Diego: Harcourt, Brace and Company, 1995. In this book, papercut illustrations
embellish a Japanese folk tale with a moral to convey.
THE MASTER PUPPETEER by Katherine Paterson. New York: Harper Collins, 1989.
This is a novel about an apprentice puppeteer swept up in a tumultuous event in
THE MOON PRINCESS retold by Ralph F. McCarthy and illustrated by Kancho Oda.
Tokyo: Kodansha International, 1993. This is an ancient Japanese story with
illustrations first published more than 50 years ago.
SADAKO by Eleanor Coerr and illustrated by Ed Young. New York: The Putnam
Publishing Group, 1997. This version of the favorite story of the thousand paper
cranes is especially for young readers.
REFERENCES AND ERIC RESOURCES
The following list of
resources includes references used to prepare this Digest. The items followed by
an ED number are available in microfiche and/or paper copies from the ERIC
Document Reproduction Service (EDRS). For information about prices, contact
EDRS, 7420 Fullerton Road, Suite 110, Springfield, Virginia 22153-2852;
telephone numbers are (703) 440-1400 and (800) 443-3742. Entries followed by an
EJ number, annotated monthly in CURRENT INDEX TO JOURNALS IN EDUCATION (CIJE),
are not available through EDRS. However, they can be located in the journal
section of most larger libraries by using the information provided or requested
through Interlibrary Loan.
"1996 Notable Children's Trade Books in the Field of Social Studies." SOCIAL
EDUCATION 60, no. 4 (April-May 1996): 1-16. Updated annually, an annotated
bibliography keyed to social studies themes. EJ 530 101.
Bernson, Mary Hammond and Linda S. Wojtan, eds. TEACHING ABOUT JAPAN: LESSONS
AND RESOURCES. Bloomington, IN: Social Studies Development Center, 1996. A
collection of K-12 lesson plans and a guide to resources on Japan. ED 401 223.
COOPERATION IN JAPAN. Stanford, CA: Stanford Program on International and
Cross-Cultural Education (SPICE), 1990. A teaching unit that demonstrates how
fiction, in this case a Japanese children's story, can be used to teach an
important concept about a country.
Gluck, Carol and Others. JAPAN IN A WORLD CULTURES SOCIAL STUDIES CURRICULUM:
A GUIDE FOR TEACHERS. New York: Columbia University East Asian Institute, 1989.
A curriculum unit designed for ninth grade and based on a unit of 15-20 class
periods focusing on six themes. A timeline, maps, and a list of audio-visual
materials are included. ED 332 937.
KAMISHIBAI FOR KIDS. A bilingual collection of Japanese stories, traditional
and contemporary, presented on over-sized picture cards for group viewing. Each
story comes with a teacher's guide. P.O. Box 20069 Park West Station, New York,
NY 10025-1510. Tel. (212) 662-5836.
RABBIT IN THE MOON: FOLKTALES FROM CHINA AND JAPAN. Stanford, CA: SPICE,
1979. This is a collection of folk tales and guidance for the teacher concerning
ways to use the stories to deepen students' understanding. ED 399 207.